Wednesday, 3 September 2014

FGC#8 The Best Match

Lettys nudged the child through the bakehouse door and watched her run between the flour-dusted bodies towards the man wearing green hose and yellow stockings. She pressed herself back against the outside of the building, clutching her basket of foodstuffs to her navy skirts with one hand and straightening her coif with the other, smiling when she heard the man growl and the girl squeal.
"Good morning Meg," his cheery voice carried through the din of the bakers and the boys. "Now how did you come to be here all by yourself?" Meg giggled. "I think your aunt is hiding somewhere." His voice was getting closer, and her smile was growing bigger. "Where could she be?" He inched around the door frame, a heart-warming grin on his face and the child in his arms. "Found you."
Her smile matched his as his cheeky brown eyes sparkled in the late morning sun. The beginnings of a beard on his strong chin suited him. He smelt of wood smoke and yeast. She wanted to reach out and hold him but such behaviour would be improper. "Good morrow Will."
He dusted his hands on his apron. "And to you Mistress Crane." He lifted her hand to his lips but she snatched it away, glaring.
"Call me that again and I shan't recommend you to my brother." She winked as she took the girl child from him, brushing a spot of soot from the coif on his head.
"But a man of my low birth cannot possibly call a woman of class by her christian name."
"Ha!"
The laugh made Lettys turn to the door of the dairy in the shade opposite the bakehouse, where a young woman stood watching them.
"My brother worrying about manners?" The smiling woman rubbed butter off her hands with a rag and dropped it into a bucket by the door. Her kirtle was the same colour as Will's hose, the front tucked into her belt displaying her woad blue petticoat beneath her apron. "And since when has Lettys Crane ever purported to be a woman of class? She is as scummy as the rest of us."
Lettys embraced the woman whose skin held the smell of sour milk from her work, and kissed her on the cheek. "As delightful as ever Annott. I shan't keep either of you, we just wanted to say good day. How goes the preparation for the banquet?"
"Well enough." Will glanced over her outfit, she felt colour rising in her cheeks and his grin became a smirk. "Is the banquet the reason for the new gown and skirt?"
Lettys rolled her eyes and tugged at the navy wool at her throat. "It was my mother's. Thomas made me wear it. We have to look presentable he said, but it is far too warm!"
A group of small boys ran by, waving sticks and shouting for the glory of England and Good Queen Bess. Annott grabbed the tallest one by the collar, and Lettys laughed at his wail of indignation.
"This one is barely presentable though." Annott wrapped her arms around the wriggling boy and tugged on the hem of his skirt. "Your kirtle is far too short young fellow." She tickled him and the boy shrieked, pulling free and hiding behind his aunt, a gap toothed grin on his freckled face.
"There is little point lengthening it now, he will be breeched and wearing hose in a fortnight." Her nephew pressed his face into the front of her gown, wrapping his arms around her and she squeezed him tight in return.
"Not long left in skirts then Master Nedkin?" Will nudged the boy with his foot. "Come hither with me, I have something for you." The pair of them disappeared into the bakehouse.
Lettys joined Annott in the warmth of the wall, even though she was warm enough already. Meg teased a lock of dark curls from under her aunt's coif, twisting it around her fingers and laying her head on her shoulder to doze.
"How fares your new husband?" Lettys grinned at her friend.
"Peter is quite well." Annott returned the grin with a wink. "The master has asked him to take on the duties of under-steward while Lord Robert is visiting."
"That is wonderful Annott. Mayhap Sir Walter will allow him to keep the position afterwards?"
Nedkin came running out of the bakehouse with Will. "Look Aunt Lettys!" In the boys hands were 3 balls of white bread.
"Will, you really should not indulge him with manchettes."
"We can spare three, heaven knows we have made plenty this morn." He grinned and shucked the boys brown felt cap.
The sound of hurried feet on the gravel path drew Lettys attention. "There you are little sister!" The bailiff of the master's farm trotted into sight, red in the face and breathing heavily, his black doublet hanging open.
"Thomas, what is it?" Her stomach began to flutter. Her brother should have been in town buying pigs this day, not searching the manor for her.
"We must make haste, the housekeeper is waiting for you."

"With our father dead it is up to me to find you a good husband!" Thomas stated again from his seat by the door, facing the wall.
Lettys was concealed behind a screen that stood as high as her shoulder, trying to straighten her under-skirt while the housemaid tugged at the laces on the side of her bodice. It was going to be an uncomfortable day. The oliphant grey kirtle with black sleeves had belonged to Thomas's late-wife when she had been a housemaid, and the woman had been more slender than Lettys.
"But surely if, and I emphasise if, a gentleman should take a fancy to me, he will take me away from the village. Then who will look after Meg and Nedkin?"
Thomas shrugged. "I shall take a second wife. I have been a widower for far too long, it's not proper."
Lettys sighed. She had tried every argument she could think of to sway her brother, but he was true to his course. She had but one argument left. Her brows knitted together and she tried to take a deep, bracing breath.
"But what if I had promised another that I would recommend him to you for husband?"
Thomas stood and turned. His face was still but anger was starting to burn in his eyes.
"Someone has been courting you without my consent?"
"No Thomas. I have known him for many years, his sister and I are friends."
"His name?"
She took as deep a breath as the bodice would allow. "Will. The baker's son."
He simply stared at her a moment. "A baker's son," he muttered, beginning to pace.
"He is a good man brother. He will finish his apprenticeship with his father in four months time, he wanted to wait until then to ask you for my hand, he wanted to show you he had the means to keep me."
Thomas bought his fist down hard on a table and she flinched. "God's wounds girl!" Storming around the screen, he pushed the housemaid aside and grabbed Lettys by the shoulders. She tried to make herself small under his gaze. "You are the cousin of the master of this manor. I would have you marry above your station not below it."
"Thomas please, you are hurting me." She was shaking. Never had she seen him in such a temper.
"Lady Catherine has done us great favour this day. She has but one daughter to marry off and Lord Robert has five sons, thus she has offered to make introduction for you too. So you will serve at table this night, and behave as befits your station, do you understand me."
Unable to look him in the eyes, Lettys nodded. He let her go and strode out of the room.

Up and down the passageway stood pages and housemaids of all shapes and size. Lettys and the maid that had helped her dress slipped into the formidable line of grey and black liveried bodies, bleach white coifs and black caps. Her heart was still pounding in her chest from her brother's treatment and tears threatened to spill down her face. The murmurs of conversation in the line ceased at the appearance of the steward, the housekeeper and the four under-stewards, making their way up the passage, inspecting the large staff required for the nights festivities.
Peter, Annott's husband, spotted her stood against the wall and walked towards her, frowning. He was a kind-hearted fellow but she did not want to talk to him for fear her tears would begin to fall.
"Lettys? Are you well?" He softly took her hand and leaned close, his eyes soft.
"I am quite well Peter, I assure you. Please. I know you are busy." Peter squeezed her hand and she released a shaking breath as he walked on.

A moment later the line stiffened when Sir Walter Applegate, the master of the house, proceeded along the passageway to the main hall, accompanied by Lord Robert Pentfort. Following them was a selection of family members and other gentlemen. Lettys was astonished by the finery of the mens outfits. Most were subtle in their choice of garments, wearing the richest reds and blacks, with the most delicate of embroidery and jewelling. Others, however, reminded Lettys of peacocks, displaying their many bright colours and the latest fashions from across Europe. She forced herself not to laugh at the fellow with the hose so large he may as well have been wearing a skirt. The young man behind him caught her eye. The manner in which he held himself marked him as a gentleman. He smiled at her, then glanced at the fellow with the skirt hose and rolled his eyes. She smiled back at him as he walked passed on his way to the great hall. Her smile disappeared when her eyes fell on Thomas at the back of the party. He was dressed in his best black wool doublet and hose with crimson satin slashing. He looked quite fine with his dark beard and hair carefully combed, but when he nodded to her it sent a cold wave from her throat to her toes.

A flurry of activity ensued when the last of the party had entered the great hall. The musicians began to play in the gallery, pages were sent to the hall to serve wine, maids to the garderobe to collect trenchers for the gentle-folk to eat from. Lettys found herself in the kitchen helping to put the finishing details to a variety of succulent dishes. Annott brushed past her in the melee, pressed into kitchen service for the Lord's visit. They had not a moment to even exchange a greeting as a dish was thrust into Lettys's hands and she scurried back into the passageway, joining the queue of maids and pages, each carrying a platter of some delicacy or another.
In procession, they walked into the great hall. The steward announced each dish, it was placed upon one of the tables and the carrier was sent back to the kitchen for the next dish. Salats, cheeses, breads, tortes, pottage, fish, poultry and game were distributed until Lettys felt sure the table should collapse.
The last dish she carried forth was a decorative quail, and the only space left was in front of the young gentleman who had smiled at her. He smiled again as she walked towards him and put down the platter.
"Thank you."? He held her gaze. She did not want to be rude and turn away, but he held it so long she felt awkward. She was saved by the arrival of the prize dish. Peter and his fellow under-stewards carried a board between them, atop which sat three roasted peacocks, each posed and redressed in it's skin and feathers, their tails arranged to display their many beautiful colours.
She gratefully took the opportunity to steal back to the kitchens. The cooks and their assistants were still busy, this time finishing the sweet dishes. She tucked herself in beside a fireplace to catch her breath and saw Will walk in with a basket of manchettes from the bakehouse. He winked at her across the crowded room and she felt herself calm a little. Barely seconds later she was swept back to the great hall to collect empty platters.

It was late before the household and their guests had finished eating, but despite the immense amount of food they had consumed they were still full of energy and determined to dance. Lettys watched from the corner of the room as the pages cleared away the low board tables and Lord Robert stood, holding his hand out to Lady Catherine. She accepted the invitation and allowed him to escort her to the centre of the hall. Her gown was beautiful; deep red and cream, with the tiniest of pearls stitched along the lines of the bodice.
The musicians began to play a galliard, and one-by-one, more couples joined the floor. Lettys was content to watch. She knew the dances certainly, but had had little opportunity to practice of late. Besides, she felt drained. If it had not been for Thomas watching her like a hawk from the other side of the room she would have snuck off to the kitchen, or even home. Sedately, the dancers moved about the hall. After more wine she knew the dances would get more lively, rowdier. The dance ended, and the couples bowed to each other. Some remained on the floor as the next dance started, others found seats around the room.
Lady Catherine spotted Lettys hiding in the corner and walked over with her arms outstretched.
"Dear girl, why do you secret yourself away so?" She embraced Lettys.
"Forgive me my lady, but I am wearied from service." Lettys curtsied to the lady of the house. As a child she had run freely through these rooms, playing with Lady Catherine's daughter Isabel and her two sons, John and Stephen. But as she grew older she was made aware there was a proper way to behave around gentle-folk and now she always felt awkward and ungainly in the family's presence.
"Well my dear, you did a fine job. If you wished I would be more than happy to take you onto our household staff?"
"With the greatest of respect my lady, I must decline such a generous offer. Until my brother finds himself a second wife he needs someone to care for his house and childer."
"You are a good girl to care for your brother so." Lady Catherine grinned and embraced Lettys again. "However, I suspect you may find yourself a husband before your brother finds another wife."
Lettys's heart began to beat faster and her gut twisted.
Lady Catherine leaned in close and whispered, "Young master Myles fancies you my dear." She stood aside and nodded across the room to the young gentleman who had smiled at Lettys. He was watching them as he spoke with the man in the skirt hose. "He is a fine and gentle fellow, sweet in spirit, something of a poet I gather. If that I could marry my Isabel off to him instead of his braggart brother Francis I would, but needs must. Francis is the better match for her." She sighed. "Now you must understand that as the youngest son of Lord Robert he has no entitlement to the family fortune or estates, but he is well provisioned for. All of Lord Robert's sons are well known at court. It rather excites me to think that my Isabel, and mayhap yourself, could soon be in the company of good Queen Bess. So what do you think my dear? Shall I make introduction?" Lady Catherine veritably bounced with excitement at the notion.
Lettys felt the colour drain from her face and her hands begin to shake. She was going to be introduced to the young gentleman, Myles Pentfort, as a prospect for marriage. All she could do was nod. Lady Catherine clapped with delight and took Lettys's hand, guiding her around the dancing couples.
Myles excused himself from his conversational companion as they approached.
Lady Catherine nodded to the young man. "Sir, allow me to introduce Lettys Crane, a cousin of our family."
He bowed to the women and kissed Lettys's hand. "The pleasure is all mine Lady Catherine. I have been admiring your cousin from a distance all night."
Lettys felt rooted to the spot, unable to speak or move. With great effort she managed to bob a curtsey.
Lady Catherine chuckled. "You must forgive Lettys sir, serving at table this evening has taxed her so. Shall I leave you to get better acquainted?" She did not wait for an answer, Lady Catherine just glided off into the crowd around the hall. Lettys desperately wanted to run after her and hide behind her skirts. Instead, she turned a timorous smile to Myles Pentfort as the dance ended.
He grinned offering her his arm. "May I have the next dance, my lady?"
Her feet felt unbelievably heavy but she followed him onto the floor and they stood face to face, waiting for the next piece of music. To her dismay, it was a Volta, one of the more intimate of the court dances. He moved to stand beside her, placing his arm across her body and she did the same. The sensation of his hand on her waist made her breath catch and she fixed her gaze on the pearl hanging from his ear. The velvet of his deep blue doublet was pleasantly soft and warm beneath her palm.
"I am curious, why do you perform the duties of a housemaid this night if you are a cousin of the family?"
Lettys's tongue cleaved to the roof of her mouth. She tried to concentrate on the steps of the dance but stumbled as she tried to speak. "I am little more than a peasant my lord, service is a good station for one such as myself."
His eye's narrowed. "But you are a cousin of the Applegates?"
"My late father was Sir Walter's cousin, yes. He was the bailiff of his farm, my brother holds the position now."
He placed both his strong hands on her waist, and lifted her for the three quarter turn. "Hardly a peasant then." Myles cocked his head at her, still smiling.
"Maybe not a peasant, but a farmers daughter none-the-less, far below the station of one such as yourself my lord. I am better suited to care for animals and childer than run a household."
He laughed, the pleasant resonant sound ringing out above the chatter. "Allow me to be the judge of that will you?" He lifted her again.
"As you wish my lord."

When the music ended, Myles Pentfort bowed deeply to her, her heart sinking when he once again kissed her hand. She had not been rude to him as they danced, simply reserved, but evidently that and the discussion of her social standing had not been enough to deter his interest.
She stopped herself sighing with relief when she saw Peter making his way towards them through the crowd.
He bowed reverently to Myles. "Begging your pardon my lord, but Lettys's presence has been requested in the kitchen."
"Of course, I shall detain the fair creature no longer." Once more he kissed Lettys's hand. "I must go speak with my father. I hope we shall see one another again soon Mistress Crane."
Lettys curtsied to the floor, again unable to speak. When Myles turned away Peter gently took her arm and led her from the hall.

They hastened down the passage, Peter leading her to the stewards quarters off the kitchen, shutting the door firmly behind them. Annott was pacing about the room, chewing her fingernails. Will stood from the settle when they entered. Lettys gulped down the first easy breath she had taken in hours and felt a few tears escape her eyelids. She could stop acting in the proper manner, if only for a few moments. Will gathered her up in his arms and held her tight.
"Peter told us about Lord Robert's son. How do you fare?"
"I am well enough. I am just so tired."
Annott shoved her brother away and took Lettys's hands in her own, squeezing them tightly. "Does he favour you?" Her brown eyes, so like her brothers, searched Lettys's own green ones.
"I believe so. Yes." She watched Annott's face crease as tears welled up in her eyes. "In very truth, it was never my intention to garner the attention of a gentleman. I'm sorry. Thomas received the favour from Lady Catherine." Her heart broke as Annott turned away from her.
Will placed his arm about her trembling shoulders. "So what do we do now?"
Peter pulled the hat from his head and rubbed his eyes. "There is nothing we can do. If Myle's asks Thomas for Lettys's hand he will undoubtedly consent and they will be married by the end of the year."
"You cannot marry him Lettys, you cannot." Annott threw her arms about Lettys's neck and kissed her upon the lips. Lettys tasted the tears of the woman she loved as she greedily indulged the physical connection between them. They had been unable to do this since before Anott and Peter's wedding two months before. The need to maintain a proper appearance had been torture. She held the woman tightly, Annott burying her face in her neck, sobbing.
Lettys watched Peter wrap his arms around Will's middle, the bakers son leaning back into the embrace. "We should have known it was too good to last."
"If only we could all just disappear," Will sighed. The thought hovered tentatively in the air between the four of them.
Peter stood up straighter. "Why can we not? We could just disappear."
"You are talking nonsense husband." Annott raised her tear stained face from Lettys's shoulder.
"I swear I am not. We could leave. The four of us we could leave, tonight, start afresh somewhere else, mayhap London. Lettys and Will could marry as per our plan, no-one will pay any attention to two newly-wed couples. We could be together as we please." Peter's face was aglow with excitement at the prospect. Lettys felt a glimmer of hope starting to grow inside her.
"It is not an unreasonable plan." Will squeezed Peter's hand, a timorous smile beginning to tug at his lips.
However, one thought extinguished the hope in Lettys like a cold wind. "But what of my family?" Lettys stepped away from Annott. "I cannot abandon Nedkin and Meg. Thomas knows nothing of caring for childer."
Annott grasped at her. Lettys could feel her love's desperation and wanted nothing more than to give her what she wanted. "Lettys there are many in the village to help him. Or if you are so concerned we can take them with us, raise them as our own."
"As our own?" Thoughts were tumbling around Lettys's head like acrobats. She loved Annott, that she did not doubt. But was it enough to leave behind her life, her brother, to take his childer from him?
A knock at the door made her jump and broke them all from their dreaming. Peter and Will stepped away from each other and Annott dried her face with her apron.
Thomas opened the door. "What are you doing in here little sister? I have been looking for you everywhere." He held out his hand to her, grinning. "Come. Lord Robert wishes to speak with us."

*****************************************
This short story was written in response to the Form and Genre Challenge 2012 #8: The Historical Challenge and received and honourable mention in the Readers Poll.
Final word count: 3955
To see the other submissions go to the Write Anything website here.
As always, much love and thanks to my favourite beta reader Alex.
Disclaimer for Kentwellies: All characters appearing in this work are fictitious. Any resemblance to real Kentwellies, living or dead, is purely coincidental. This is a work of fiction.

Thursday, 29 March 2012

So long, farewell, auf wiedersehen, adieu

Well, its been fun Blogger but it's time to say goodbye.

If you wish to keep up with my continuing antics as a writer-in-training and waffling blogger then please come and say hello over at my brand new website. We've still got a few bugs to work out but it's shiny!

Hope to see you there, if not, all the best!
Jo x

Wednesday, 14 March 2012

You'll Find It Impossible To Fly Your Fate - The Duchess of Malfi


Disclaimer: The opinions expressed below are mine alone, and do not necessarily reflect those of the company. As with all my insider reviews, call me biased if you want, but I wouldn't write about a show I'm working on if I didn't enjoy it.


It has happened again. Galleon Theatre Company have taken me completely by surprise with their latest production, The Duchess of Malfi. Despite having been partial to a number of planning conversations with Bruce Jamieson (the director) and Alice De Sousa (the producer), I was under the impression that we were doing a traditional, classical Jacobean tragedy. Even after the first read-through I still believed so. When will I learn that that is simply not Galleon's style???


The Duchess of Malfi, written by John Webster and first performed 400 years ago is of course a classic Jacobean tragedy, full of betrayal and murder, but though our production uses modern dress, it's direction is sensational enough that I believe it would hold the attention of its original audiences in 1614.


And tis a fitting bang with which the Galleon Theatre Company will be leaving the Greenwich Playhouse for good, dividing the critics and sending audience members fleeing from the auditorium in tears, hopefully a production we will be remembered for.


Ferdinand and the Cardinal
The play documents a family's undoing at it's own hands. A sister is left widowed by the Duke of Malfi, and her two brothers, the cruel and immoral Cardinal and the sadistically unhinged Lord Ferdinand, wish to secure her fortune for their own use by forbidding her to remarry, leaving the slime-ball Bosola to watch over her.
But of course the wilful and passionate Duchess will not be dictated to, and the ultimate result is the death of pretty much everyone, as one would expect from any Jacobean tragedy worth it's salt.


Bruce Jamieson's adaptation of The Duchess of Malfi as always cuts to the heart of a select few story lines, allowing the audience a much easier and dramatic journey through the story. Aided by Natasha Piper's modern day-ish costume choices it is made clear that many of the themes explored in the play are still more than relevant today.


Cariola at the mercy of Bosola and Castruchio
As expected, there has been some outcry at the portrayal of women in this production, something which amuses me. Those that have protested seem to forget the fact that this story was written four centuries ago, when women were considered the possessions of their husbands, fathers or brothers, and in order to gain any amount of freedom oft had to take measures into their own hands using the only guile they had available to them; their femininity. The women of The Duchess of Malfi also suffer a great deal of abuse at the hands of men. However, the story is not so outdated that such issues are not translatable to a modern day audience.


The company for this production have proven outstanding. We were lucky to have some Galleon regulars join us for this final show, as well as some brilliant new additions to the company. Charlotte Randell's minimalistic set design makes excellent use of the space with rich curtains enhancing the pretence of civility in the first half of the show, and the amazing painting on the studio's back wall as stark evidence that everything is crumbling to ruin in the second half. Philip Jones's lighting design starts bright and cheerful, growing gradually more shadowed and dark as the plot thickens. Jamieson's selection of music to underscore the action, expertly edited by Robert Gooch, sparks off and reinforces the emotion generated by the cast. 


The Duchess
Alice De Sousa, producer and co-founder of the Galleon Theatre Company, takes the title role of the show with the same passion and fire she gives to all her endeavours. And that passion has been her greatest advocate over the recent weeks as De Sousa has been balancing her role in the show, with the ongoing campaign to find the company a new home, as well as negotiations with her film company and other businesses.
The Cardinal


Bruce Jamieson is the only choice for the irreverent Cardinal of Aragon. Heavily tattooed and not adverse to a spot of BDSM, Jamieson's portrayal is bold and loud and has no problem using his societal position for his own purposes.


Duke Ferdinand
Robin Holden (Hamlet in September 2011) returns to the company playing the younger brother Ferdinand. A little obsessed with his sister, his lust for treasure and the Duchess's seeming betrayal sends him on a rapid downfall into madness and lycanthropia, ultimately being responsible for the death of both his siblings. While Holden had to act a little crazed as Hamlet last year, the contrast between these two roles is great, and his switch from overbearing devotion to his sister to cowering pup under his brothers gaze is a delight to watch.


Daniel De Bosola
Another regular Galleonite, Damian Quinn, takes on the role of Daniel De Bosola with an aplomb that would be at home with the RSC. Although you know Bosola is one of the bad guys you can't help but like him, with his cheeky asides to the audience and impudent opinions of those that pay for his services. Quinn masterfully carries off Bosola's gradual development of a conscience, which results in him being one of only two characters left alive at the end. Not the way this story traditionally pans out, but it works.


Antonio
Lord Stamford sorry Derek I mean Darren Stamford has been promoted from trusty sidekick Horatio in last years Hamlet to the Duchess's love interest Antonio, and he plays the part brilliantly. One of my favourite parts of this show is watching the tender and playful interactions between the Duchess and her secret second husband. Stamford's Antonio is simply an honest and good fellow who wants nothing more than to protect his wife and child, and his reaction to the news of the Duchess's death is one of the most genuine performances in this production.


Cariola
The Duchess's companion, Cariola, played by Emma Grace Arends, is such a sweet and innocent little character that she almost seems out of place among the darkness and betrayal of the story. A delightful troublemaker backstage, Arends is a joy to watch, especially in the background, where her performance is as faithful as when she delivers her lines. Cariola's semi-witnessed death is by far the most harrowing in the production, to the extent I've been known to miss a lighting cue that shortly follows it.
Delio


Alexander Neal, playing Delio, is another great addition to Galleon Theatre Company. Delio is one of those characters where you're not entirely sure what to make of him. Being Antonio's best friend you hope he's one of the good guys but his dealings and connections do make you wonder from time to time, and Neal gladly plays with this concept throughout. Ultimately, he is one of the hero's of the show, taking part in and surviving the final slaughter scene and it is his reaction to this that gives you a clear sense of his character. When all the violence is done with, reality hits him and he collapses, delivering one of the most poignant lines of the play. 


The Doctor and Castruchio
Barry Clarke is back doing what he does best; the comic relief. Though both the characters he plays in The Duchess of Malfi are amusing, they have their darker sides that Clarke gleefully toys with. As Castruchio, an ambitious but dull-witted politician, he's a fine old cuckold who's wife will gladly go off with most any man, yet he has no qualms being involved in the almost rape of Cariola at Bosola's hands. As Ferdinand's Doctor, the comedy is in his demise due to his overconfidence in his abilities, while his blood spattered appearance and manipulation of his patient is oh-so sinister.


However some of the best performances in the show come from three gentlemen with barely a handful of lines between them.


The Cardinal's Men
Alex Reece (left), Phil Gerrard (centre) and Martin Foreman (right) form three fantastic groups; the Cardinal's men, the executioners and the Doctor's keepers.
Their ominous and menacing presence keeps the audience on their toes. As the characters have no names, I hope it's clear that here I refer to the characters rather than the actors themselves. Alex you know must have been some bully's muscle at school, Phil has somehow ended up as the bitch of the trio, though he's no less scary, and Martin is the really quite creepy ringleader.
The keepers
I truly hope that these three return in future Galleon productions so we can see what more they've got for us.


This, sadly, is the last production that will be produced and presented at the Greenwich Playhouse due to it's closure in April. At present we do not have a new home to move to. For more information on the closure, and how you can be of help please read the press release on the Galleon Theatre Company website.


The Duchess of Malfi is performing until March 18th at The Greenwich Playhouse. Tickets are available here.


All photo's courtesy of Robert Gooch.

Monday, 27 February 2012

The Apple Diary - Part 3

It got cold again. So cold we had snow on the ground for a week, although it only actually snowed three times. Watching the buses lining up outside the pub because none of the drivers were confident enough to drive down the slight hill to continue their journeys into central London was amusing, as was the simple fact that Boris's promises that London was ready for snow didn't stop the transport network coming to a halt that Saturday night. But the chill weather, and my negligence, took it's toll on the little orchard.

Behind the curtains, perched on the back of my sofa has so far been where they've thrived the best, but this also means they're out of sight and thus out of mind, and while being sorely distracted and overtaxed by working four jobs at once, I forgot about them instead of moving them back onto the dresser where they would be warmer.

And so I've lost 6 members of batch 1 and 1 of the 2 sproutlings from batch 2, as much from a lack of watering as the the cold. Yes I admit I'm a bad plant mummy. Fortunately a generous drink of water revived a few of them. One is still touch and go but all fingers and toes crossed.

However, there was one sproutling that seemed totally unperturbed by the circumstances that claimed his batch-mate. The late-arriving cox sprout was fortunate enough to have been insulated by the clingfilm over his cut-down milk carton and thrived while the others withered. Out of all the sproutlings I've grown so far this little bugger has grown himself the finest set of leaves yet, far bigger and healthier than any that have grown beyond their sprout leaves.

Saturday was a day of new beginnings for the little orchard. My little friend above was carefully transferred out of his carton and into a proper pot. The soil from the pots of the perished, as well as from the pots that never sprouted, was recycled into the 30 cells of my brand new propagator.

It's hardly a state of the art piece of equipment, but with this piece of plastic I know that the new seeds I've planted, 15 royal gala's and 15 braeburns, will be protected from anymore cold snaps, they'll stay watered better and they can each sprout without me worrying about them strangling each other in separate cells.
However, I've recently been informed that a lot of supermarket fruit, which all my gatherings have been thus far, are more often than not infertile, meaning that even though the seeds have sprouted, it's unlikely they'll ever bear fruit. Thus my mission for this week is to seek out London's real food markets and buy some properly grown apples, in the hopes that the little orchard may someday produce fruit of its own.

In the meantime the other plants seem happy enough. Miraculously, the chilli plants were unaffected by the cold snap, or the lack of water. The aloe vera babies are thriving still in the mother pot, when they are a bit bigger I'll transfer them to pots of their own. The oak tree is still bare but is ready to produce buds for this years leaves. This hearty little fellow has spent its whole life outside and so was undaunted by the cold, and is no doubt going through its natural seasonal cycle. My plan is that once the little orchard are in their own pots and a bit stronger, I'll move them outside into the back garden so they can do the same.


The weather has been noticeably warmer the last few days. It's weird to think that three weeks ago I was bundled up trudging through the snow to get to work and for the last two days I've been walking to the tube station without even needing a sweater.

And of course the sproutlings have been loving it. Even in just the last three days all but one have put out new leaves and have been heartily enjoying the warmth and sunshine. I just hope the little fella at the front will catch up with his batch-mates over the next couple of weeks. Despite being healthy and plump it has always struggled to produce leaves beyond it's sprout leaves. I don't know what this will mean for it's future development, but I hope it will start growing more leaves soon.

Later this week I'll be starting the next stage of my planting endeavours. In our back garden there's always been  two herb troughs which contain nothing but some stick-like chives and a lot of moss. I intend to requisition them to plant up my own herb troughs. I've already bought some coriander and basil seeds, as these are the one's I use most when cooking, and once this months bills are out of the way I'll be broadening the range.

I've also been set another challenge: to win the regard of three reptiles that have recently made their way into my life.


Evel post-tomato!
Gorak (centre) is a placid matriarch of a bearded dragon who will tolerate your attention and affection, as long as you don't prevent her from face-planting the floor after leaping off the edge of the sofa. Calcifer (right) is a bolshy little heir to the manor who disdains all human attention unless he is bribed with a tasty worm or two. Evel the tortoise (left) is a fussy eater after being fed only pellets for most of his young life, resulting in malnourishment. Since being adopted by my friend Ella, he's only eaten red things, so they're trying to persuade him to give green things more of a chance. So we're currently researching plants that all three of them would enjoy. At present my back garden is very sparse after some unknown person cleared it last summer so it's the ideal place to work on growing some reptile treats.
Now that spring is well and truly on its way, I look forward to seeing where all this growing of stuff will take me.


Friday, 20 January 2012

Me vs. Story - A bit of silliness

Evening folks,


This is just something a little bit daft that was inspired by a sleep deprived conversation with Milli at the end of Wednesday's 10K Day. Milli did a similar piece a little while back called Inner Kid and Igor Converse About Writing.


I hope this little piece of rubbish makes you smile, it's made me feel better today :-)


*********************************************

Story: *tap tap tap*
Me: Hello?
Story: Hi, umm, I was just wondering, could I get written sometime soon?
Me: Certainly. Do you have all your material together for me?
Story: Not really, no.
Me: Oh, well then I can’t write you right now I’m afraid. I can make notes of what you’ve got if you like?
Story: Well, see the thing is, I really really want to get written.
Me: I understand that, but when you first arrived I did explain that you’d have to get your material together before I could write you. You’re welcome to stay up there as long as necessary to do that, but you’ve got to do the work, I’m just the typist.
Story: But surely it’s my turn by now, I’ve been up there a while!
Me: You’ve been up there a week…
Story: But it’s getting really crowded.
Me: I’m well aware of that fact, believe me.
Story: But but…but how long do I have to wait then?
Me: As I said, that’s up to you. Pirate’s Daughter has been up there since 2004, it’s only in the last two years that we’ve started making progress together, and we’ve made a lot of progress in that time, but we’re not quite ready for the 1st draft yet and she’s happy with that.
Story: I have to wait two years???
Me: Of course not, you’re a short story, if you get your material together you can be written in a few hours.
Story: But I want to be written now!
Another Story: Umm…excuse me?
Me: Yes?
Another Story: Sorry to interrupt but I think I’m ready to be written.
Story: What??? I was here first!
Me: Actually she’s been here for nearly 3 weeks now. Have you got all your material together?
Another Story: Most of it, there’s two small gaps though…
Me: I’m sure we can work with that. Please make yourself comfortable.
Story: Wait wait wait! What about me?
Me: What about you?
Story: I need to be written!
Me: Get your material together and I’ll sort you out, I’ve told you that.
Story: BUT I WANT TO BE WRITTEN NOW!!!!
Pirate’s Daughter: Everything all right in here hon?
Me: Hi mate, sorry, can it wait a while?
Story: I WANT TO BE WRITTEN I WANT TO BE WRITTEN I WANT TO BE WRITTEN I WANT TO BE WRITTEN I WANT TO BE WRITTEN…
Pirate’s Daughter: Sure thing, just had an outline element arrive earlier. Ummm…want some help with her?
Me: Feel free to let a couple of your characters loose on her if you want but I think I can handle it.
Pirate’s Daughter: Ok, but just yell if you want a hand.
Story: I WANT TO BE WRITTEN I WANT TO BE WRITTEN I WANT TO BE WRITTEN…
Me: All right that’s enough!
Story: I WAnt…
Me: Thank you. Now then, you’ve got two choices. Either you go back upstairs and wait until you’ve gathered all your material, or you get out and go find another writer. Either way, you’d better stop pounding on the back of my skull! So what are you going to do?
Story: Umm…